Jade Starr Music

TimeVerb-X

by Genuine Soundware

Spring and digital reverbs together, in parallel or feeding each other

Oct 13, 202258 minWatch on YouTube ↗

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  1. 15:19Tapping the spring panel, where a harder tap crashes the springs
  2. 20:15Spring controls: decay, damping, tension, dispersion and stereo width
  3. 20:50Decay pushed into the marked zone where the spring feeds back on itself
  4. 22:43The digital side alone, its rooms, early reflections and diffusion
  5. 25:47Routing switched from parallel to one reverb running through the other
  6. 41:08Writing a preset, reloading the factory bank, and the manual inside the app

What it does

Two reverbs in one plugin. The spring side is GSi’s Type 4 emulation, taken from an Accutronics tank like those in Hammond A100 organs and guitar amplifiers, with decay, damping, spring tension, timbre, dispersion and stereo width, plus a panel you tap to hear the springs crash. The digital side is algorithmic, with room sizes, early reflections and diffusion. Each has its own high pass, low pass and level, and a routing switch runs the pair in parallel or sends either one through the other.

In the demo

Jade pulls the dry signal out so each reverb is audible alone, works the spring decay up into the feedback zone, then flips the routing both ways on piano, acoustic guitar, a microphone and drums.

Worth knowing

Presets are grouped into spring, digital and combined sets, and the manual sits inside the app. Jade’s iPad throws repeated bad signal errors in AUM here, which she puts down to her hardware.

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