RetroLab
by 4Pockets
Twelve vintage effect modules with three LFOs and a macro intensity dial
May 6, 202637 minWatch on YouTube ↗
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Jump to
- 6:09LFO assignment by hold and tap, with range, phase offset, beat divider and bipolar
- 8:30Noise module: vinyl crackle, hum, hiss and ducking under a piano
- 20:28Drum presets with phaser and filter morph on Playbeat 4
- 25:06Gate with attack, release, stereo, cycle hold and patterns on a pad
- 29:15Glitch module with beat sync, repeat and reverse probabilities on Hammerhead
- 32:48Building a sound from the noise module alone with nothing playing in
What it does
Twelve vintage effect modules, noise, glitch, wow and flutter, phaser, tape saturation, distortion, crusher, filter morph, air delay, atmosphere, tape transport and gate, in a reorderable chain. Three LFOs assign by holding the LFO and tapping a control, with range, phase offset, beat divider and bipolar options, and an intensity macro scales every module’s master dial.
In the demo
Jade runs it on every instrument in an AUM project driven by Fugue Machine, then walks through each module on a slow piano motif, Playbeat 4 and Hammerhead drums, a Super J8 pad and AudioThing noises. She finishes by building a sound from the noise module with no audio coming in.
Worth knowing
LFOs only move while the host transport runs, and presets show in the AUv3 only after the standalone has been opened once. Anyone after a one-knob tape or vinyl effect will find many more controls here.
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