MangledVerb
by Eventide
Reverb run through overdrive for broken, haunted spaces
Jul 5, 202158 minWatch on YouTube ↗
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Jump to
- 12:46Control tour: mix, decay, room size, pre-delay, wobble and the distortion stage
- 14:00Syncing the distortion to the host clock, or setting it by hand
- 16:12Mix pushed up until a drum pattern reads as drone rather than drums
- 27:44Assigning the ribbon to several knobs at once, then morphing them together
- 30:32On a screamed vocal, for industrial vocal textures
- 34:43On a live bass guitar
What it does
A reverb with a distortion stage inside it, so the tail clips or overdrives rather than decaying cleanly. Mix, decay and room size sit next to a pre-delay with its own low and high controls, a wobble frequency and a mids control, then the drive itself, which relabels from soft clip to overdrive as it is pushed. A ribbon along the bottom morphs any group of knobs together, a hot switch jumps to a stored setting, and the distortion can follow the host tempo. It runs standalone or as an AUv3.
In the demo
Jade walks the controls on a Hammerhead drum pattern, runs the ambient, ethereal and instrument preset banks, then pushes the mix until the beat turns into drone. She moves on to SynthMaster and a wavetable synth, a screamed vocal, and a bass guitar played live.
Worth knowing
The preset banks lean large and modulated, and most of what is here is an effect rather than a room. Anyone after a natural space will be working against it.
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