Diffuse
by Surreal Machines
Morphing delay and reverb modelled on 1970s and 80s hardware
Jul 22, 202418 minWatch on YouTube ↗
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Jump to
- 3:04Preset menu, A and B compare, and the mix lock that freezes wet and dry
- 4:10Diffusion pulled to zero for bare delay, then raised past the smear point
- 5:19Feedback into the red zone and switching between synced and millisecond time
- 7:04Delay modes: ping pong, external, wobble, phaser, gallop, ellipse, oval
- 8:53Rectify for grit, then width, spread and modulation for stereo shimmer
- 10:08Damping cutting lows or highs, and pump ducking the tail under each note
What it does
A hybrid of an analog modelled delay and an early digital reverb, with one control that morphs between them. Diffusion sets how far echoes smear into a reverb tail, size scales the space, and feedback runs into a zone where it starts to self oscillate. Delay time can sync or run free in milliseconds, with modes including ping pong, wobble, phaser, gallop, ellipse and oval. Rectify adds grain, width, spread and modulation shape the stereo image, and damping and a ducking pump control keep the tail out of the way.
In the demo
Jade runs a Pianoteq motif through it in AUM and moves one control at a time, taking diffusion to zero for a bare delay and then over the threshold where the display turns yellow. She ends with a long pass through the factory presets on the same piano part.
Worth knowing
Double tapping any knob returns it to default, which matters because feedback and diffusion get unruly fast. A Mac and Windows version is sold separately on the developer’s own site.
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