Jade Starr Music

The Orb

by AudioThing

Vowel formant filter driven by an orb interface and three LFOs

Oct 1, 202622 minWatch on YouTube ↗

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Jump to

  1. 2:25Preset browser with favourites, randomization and per-parameter locking
  2. 4:12Three formant bands and the smoothing control between vowels
  3. 5:25Emphasis on the distance from centre, drift across the wedge
  4. 7:38Vowel count from two to ten, with male, female, child and custom sets
  5. 9:58LFOs on vowel, emphasis and drift, with rate, phase, shape and direction
  6. 17:27Adding movement to a drone and to noise from a no-input mixer

What it does

A vowel formant filter. Three bandpass filters imitate the formants of a human voice, and the orb interface divides into sectors with one vowel each. Distance from the centre sets emphasis, the angle sets drift in hertz, and a smoothing control decides how abruptly one vowel turns into the next. Vowel count runs from two to ten, with male, female and child sets or a custom set retuned by typing frequencies in. Three LFOs drive vowel, emphasis and drift, each with rate, phase, shape and direction.

In the demo

Jade runs it in AUM on a Zenology patch fed chords from a MIDI app, turning the formants off first so each control is audible on its own. She then puts it across a drum loop, a field recording and the output of a no-input mixer.

Worth knowing

Jade uses it as a movement effect inside a mix rather than as a tone shaper, mostly on drones and noise. The desktop build is sold separately from AudioThing’s own site.

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