Jade Starr Music

Percussive Synth

by Vadym Rostok

Four-voice percussion synth with a stretchable polyrhythmic step sequencer

May 18, 202261 minWatch on YouTube ↗

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Jump to

  1. 24:55The expand button in the standalone, which reveals the sequencer
  2. 27:09Gain pushed into the red as distortion, and the full tempo range
  3. 31:42Four lanes, four synths, and stretching the loop window to change step size
  4. 35:58Triplet and quintuplet lanes offset against the straight lane
  5. 39:39The synth page: two oscillators, noise, cutoff, resonance, envelopes
  6. 45:24Recording a run of cycles and exporting it as a WAV
  7. 49:28As an AUv3: one voice per instance, sequenced from the host

What it does

Four independent percussion synth voices, each with two oscillators, selectable saw, square, triangle and sine shapes, a noise source, cutoff and resonance, a low-pass filter envelope, an amp envelope and a decay time. The standalone adds a four-lane step sequencer whose loop window stretches: narrow the box and the steps get finer. Each lane can also carry triplet and quintuplet lanes offset from the straight one, for polyrhythmic patterns. Gain pushed past its nominal setting turns into distortion, and tempo runs from 6 to 9999 BPM.

In the demo

Jade builds a pattern from an init patch, lane by lane, stretching the selection box to change note resolution, then adds the triplet and quintuplet offsets. She records a run of cycles and exports it as a WAV, and opens it in AUM as an AUv3, where four instances are driven by Euclidean and Zoa.

Worth knowing

The sequencer exists only in the standalone; as an AUv3 you get one voice per instance and sequence it from the host. Presets and sequences export separately, so patches can move between projects.

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