Jade Starr Music

FAC Medusa

by Fred Anton Corvest

Three band compressor with preamp saturation, upward compression and brickwall limiter

Oct 5, 202268 minWatch on YouTube ↗

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Jump to

  1. 13:37The preamp crossover, splitting the input into low, mid and high
  2. 14:13Crossover slopes at 12, 24 and 48 dB, then per band gain and saturation
  3. 14:46Sum against split, compressing the bands together or one at a time
  4. 15:18Threshold and ratio up to infinity, then downward against upward compression
  5. 16:28Range, knee, the parallel compressor and the brickwall limiter
  6. 37:58The sidechain page and the separate multi out extension that feeds it

What it does

A compressor with a three band preamp in front. A crossover splits the input into low, mid and high, each with its own gain and saturation, and the crossover filters run at 12, 24 or 48 dB. The compressor then works on the summed signal or per band, with threshold, ratio up to infinity, attack, release, knee, range, auto gain and both downward and upward compression. A parallel compressor, a brickwall limiter and a dry to wet mix follow.

In the demo

Jade skips compression theory and pushes the app for character, splitting the preamp and winding saturation up until synths and drums come apart, then dropping the limiter in and out to show how hard it works. She runs the presets on drums, then moves to acoustic guitar and a vocal.

Worth knowing

The sidechain only works when the host provides an extra input bus, which means adding the separate multi out extension to the chain.

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