BLEASS Saturator
by BLEASS
Five stage saturator with waveshaper, bit crusher and an LFO
Dec 2, 202060 minWatch on YouTube ↗
Jade demos the newest music apps as they land.Subscribe and see them first ↗
Jump to
- 20:06The stages left to right: drive, wave shaper, bit crusher, LFO and output
- 21:47The drive pushed up on a chugging guitar, and how much level it adds
- 24:32Two separate preset menus, one in the drive and one in the wave shaper
- 30:28Presets on a live vocal, from light thickening through to bit crushed
- 38:57Wave shaper offset, depth, period and strength reshaping a drum loop
- 41:31The bit crusher set pre or post, and its rate pulled down
- 43:51Pointing the LFO's target at another knob to modulate it
What it does
An AUv3 saturator built as five modular stages: a drive with a three band EQ and a high and low cut, a wave shaper, a bit crusher, an LFO and a dry and wet output. The drive carries 60 dB of gain, so it works as a gain stage, not a pedal. The wave shaper has offset, depth, period and strength, the bit crusher has rate and depth and sits before or after the chain, and the LFO has a target that points at any knob in the app. The 40 factory presets are split between the drive and wave shaper sections.
In the demo
Jade runs it in GarageBand on electric guitar, a live vocal, a Kyle drummer part and a smart bass track. On the drums she goes stage by stage rather than by preset, so each module is audible alone. The vocal presets get the most time, and the bass stays on the default to show what the drive alone does.
Worth knowing
The window cannot be resized. Jade credits its low CPU draw for letting several instances sit in GarageBand.
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