NuSaw
by Charles Vestal
Polyphonic supersaw synth stacking 3 to 25 detuned sawtooth oscillators
Jul 21, 202617 minWatch on YouTube ↗
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Jump to
- 2:19Same chord at three saws and at 25, then width and sub added
- 5:15Filter section: low-pass or band-pass, 12 or 24 dB, key tracking, high-pass
- 7:01Drive, chorus, synced ping-pong delay and plate reverb
- 8:21Three LFOs and the six-slot modulation matrix routed to cutoff
- 10:52Arpeggiator with swing, gate and octave options
- 13:51Factory presets: pads, stabs, strings, acid bass
What it does
A polyphonic supersaw synth: 3 to 25 detuned sawtooth oscillators with a sine sub two octaves down, a resonant low-pass or band-pass filter at 12 or 24 dB with key tracking, and dual ADSR envelopes. Effects are drive, chorus, tempo-synced ping-pong delay and plate reverb. Three LFOs and the mod wheel feed a six-slot modulation matrix, with an arpeggiator and step gate for movement.
In the demo
Jade runs it as an AUv3 in AUM, plays the same chord at three saws and at 25, then walks through the sub, filter and effects. She routes an LFO into the cutoff, sets up the arpeggiator and gate, and closes with pads, strings and an acid bass from the presets.
Worth knowing
Built around big 90s dance and trance sounds and Reese basses rather than general subtractive duty. Preset import works only in the standalone, and the output runs loud, so trim the level before adding drive.
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