Jade Starr Music

NoiseSpace

by Igor Vasiliev

Generative noise instrument that builds whole patches on a button

Mar 5, 202562 minWatch on YouTube ↗

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Jump to

  1. 12:14The Create button generating a complete numbered patch from nothing
  2. 14:35Why presets need Set pressed, and stepping through them with the arrows
  3. 18:50One generator taken apart: tone, segment, structure, pulse, morph, width
  4. 25:28The background layer, its crush control and convolution-style types
  5. 33:27The gate working as an envelope follower into the filter
  6. 41:08Per-generator randomize options, copy and paste, and swap out
  7. 46:05Binary against sequence mode, with jitter and per-step probability
  8. 57:16Loaded as an effect, with a piano fed through two generators

What it does

A noise instrument aimed at drones, soundscapes and avant-garde texture rather than notes. Simplex noise feeds a granular engine across five generators, each holding a tone with segment, structure, pulse, morph and stereo width, plus a separate background layer with a crush control and convolution-style types. Filters, a gate that behaves like an envelope follower, two LFOs per generator and a step sequencer sit around that. It loads as an instrument or as an effect, and a Create button generates a whole patch outright.

In the demo

Jade works in AUM and takes one generator apart control by control with the level down, so each change is audible on its own. She builds the background layer, modulates its crush, then switches the sequencer between binary and step modes with jitter and per-step probability. At the end she reloads it as an effect and runs a generated piano part through it.

Worth knowing

Presets and generated patches need the Set button pressed before they take effect, which trips people up across this developer’s apps. As an effect it accepts input on two generators only. Jade’s route into the dense interface is Create, then working backwards.

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